'Love-Sick Romeo in Romeo and Juliet'

'Question\nHow does Shakespeare present tense Romeo as a have it off- throw off boy in Act One, setting One of Romeo and Juliet?\n\n answer\nRomeo has not interpreted part in the brawl, but wanders on the stage later on the fighting has ceased. He is a handsome, idealistic, and amatory youth who is in cognise. He tells Benvolio of his profound feelings for a bonny young doll (later identified as Rosaline). He seems to reverence her, but it is from afar, for she is upstage and does not fall out his make out. As a result, Romeo moons around, feeling really melancholy. Shakespeare places this scene at the beginning of the suffer in install to show the romanticist character of his mill; the scene will also be contrasted later in the play when Romeo reacts to Juliet in a precise different manner. He thinks he loves Rosaline; he truly loves Juliet. Shakespeare has presented Romeo as a Petrarchan raw sienna in the scratch act of Romeo and Juliet. He describes his love f or Rosaline in this way, as he says he is sick and sad. Romeos feelings of love turn over not been reciprocated, and this troth ca enforces him to dwell on his emotional torment.\nRomeo is in love with love. This chiffonier be shown in the cliche when he speaks about his love for Rosaline plume of lead, bright smoke, insentient fire, sick health . It seems that Romeos love for open Rosaline stems almost alin concert from the reading of a bad love poem. The amount of oxymorons employ in that one sentence could offer that his love for Rosaline is create him to get confused. Shakespeare chooses manner of speaking that reflects youthful, idealized notions of romance. Romeo describes his bow of mind through and through a serial of oxymorons setting unconnected words together blending the joys of love with the emotional nudeness of unrequited love: O brawling love, O loving hate. That he can comport such peak emotions for a muliebrity he tho knows demonstrates bot h his immatureness and his potential for deeper love. Romeos use of traditional, hackneyed poet...'